![]() ![]() Your MC takes the lead and interacts with the scene in their own unique way. ![]() They are placed into a position of control. The biggest selling point is that an active voice gives your characters a sense of agency. Most genres benefit from the smooth progression of active voice that carries the dialogue and story along. The more beloved child of the two voices, you will primarily find an active voice in books you pick off a shelf. Keep an eye on the verb and make sure that it remains a regular verb. The most important thing to remember is who or what is taking the action. Everything is laid out simply with no muss, no fuss. It offers faster pacing than passive ever could. ![]() Following the pattern of subject-verb-object, it’s understandable why teachers prefer to teach it over passive voice. The sentence structure is very direct and clear. The trick is in knowing which one best suits the needs of your work.Īctive voice occurs when the subject of your sentence acts upon the verb, often interacting with an object or a person. Most teachers, writers, or blogs will explicitly tell you to use active over passive voice, but both are necessary in the toolbox of any fiction writer. Undoubtedly, it’s been some time since any of us deliberately considered the differences between the two, or even the naming convention of them. One of the most foundational blocks of grammar and writing is also one of the most often debated: Active vs. ![]()
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